-
马隆布拉[电影解说]
分类:微电影
类型:
演员:Isa,Miranda,Andrea,Checchi,Irasema,Dilián,Gualtiero,Tumiati,Nino,Crisman,Enzo,Biliotti,Ada,Dondini,Giacinto,Molteni,Corrado,Racca,Luigi,Pavese,Nando,Tamberlani,Doretta,Sestan,Paolo,Bonecchi,Elvira,Bonecchi,Giovanni,Barrella
状态:电影解说
简介:This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!
时间:2025-05-18 03:53:08
-
Soldatik【影视解说】
分类:纪录片
类型:
演员:安德烈·安德烈耶夫,维克多·多勃朗拉沃夫,达莉娅·乌苏利亚克
状态:HD
简介:
yle=color: rgb(17, 17, 17); f> 讲述二战时期一个6岁的俄罗斯小孩在失去家人后加入苏军…
时间:2024-08-26 11:47:15
-
美人鱼旅馆
分类:恐怖片
类型:
演员:莉奥诺拉·法妮,吕克·米朗德,弗朗西斯科·拉瓦尔,Jole,Fierro,何塞·马里亚·普拉达,Lidia,Biondi,马克西莫·巴尔韦德,Francesco,Impeciati,Luigi,De,Santis,Carlo,Totti,Maria,D'Alessandro,Arnaldo,Caivano,Diala,Caruso,Wolfango,Soldati
状态:HD
简介:<p> Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing.<br/> Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa?<br/> Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a thick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.</p>
时间:2024-03-24 22:20:37
- 共3条数据 页次:1/1页